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DIOR MAGAZINE
Baron & Baron Paris
2025
Editorial
- Art direction, layout design, typesetting and partial postproduction of the iconic quadrennial magazine of DIOR.
ZARA x Kate Moss
Baron & Baron Paris
2025
Capsule collection campaign
- Art direction and webdesign for the Festival Collection of Kate Moss for Zara. Photography by Mert&Marcus, Models Lila Moss and Lux Gillespie.
BERNADETTE ANTWERP
Studio M Paris
2025
Social Media Content
- Collaboration between Fashion house BERNADETTE and NY Lifestyle store BEVERLY’s.
A DIPTYQUE NEW YEAR
Studio M Paris
2025
Social Media Content
- To gracefully enter the new year, the French fragrance house Diptyque requested strong visuals that portray their signature scents in a festive way. Their request was met in an elegant CGI animation, sprouted from meticulous illustrations and translated through candle wax, the texture they know best.
VIP
Défilé Non-Autorisé
2024
400 pages
240 mm x 320 mm (closed)
- After researching the fleeting phenomenon of fashion show invites, I put my findings to the test by sneaking into a number of Fashion Week events. This publication is an invitation on its own, as it serves a front row seat to the Parisian runway. The content includes every type of record of my trip: analog photography, iphone snapshots, fragments of my diary and folders with news articles.
RSVP
Défilé Privé - Défilé Archivé
2024
278 pages
240 mm x 300 mm (closed)
- “This invitation is strictly personal and non-transferable” or is it?
Intrigued by both the graphic gems and the exclusivity that characterize the fashion scene, I spent a year researching invitations to fashion shows. What followed is a project that acts as a plea for inclusive conservation of couture beyond the garment. ‘Défilé Privé’ is a extensive disquisition of the past, present and future of invitations, whereas ‘Défilé Archivé’ features a display of the broad collection of Veerle Windels - Flanders finest fashion journalist. The book ends in a deep dive on recurring graphic elements. The use of dot-matrix paper is a nod to their non-existent registration.
PARDON MY FRENCH
2023
108 pages / 216 pages
150 mm x 200 mm (closed)
- A project inspired by my love for Grace Jones and disgust at the hostile way she often gets approached. This interactive book contains a selection of interview snippets that made me vicariously uncomfortable. Through a tear strip the reader is invited to open up a page when they are intrigued, shocked or entertained by a certain dialogue, thereby uncovering the subjects and their facial expressions. By primarily hiding her appearance,
- I aim to give an unbiased perspective on the vulgar questions she gets asked.
The cover is inspired by Richard Bernstein's artwork on her ‘Portfolio’ album cover. The body text is set in my custom font ‘Grace Mono’, a monospaced transcript typeface with a touch of disco.
GRAPHIC
About Publications
2023
15 editions
230 mm x 295 mm (closed)
box: 240 mm x 310 mm x 3 mm
The box includes 15 booklets, a timeline and a bunch of stickers by which the owners can customize their copy.
WORDS DON’T COME EASY
Vynil cut Flocking Fabric
2021
Sweater
Shirts
Sweatpants
This sweater provides a literal interpretation of Bacon’s quote. It’s a collection of clippings taken from visuals of famous unsolved mysteries. Without any provided context this calls for your imagination to bear even more riddles.
- The assignment was restricted to only black and white colors.
FOUR TO THE FLOOR
2022
196 pages
210 mm x 240 mm